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Involving users in the psychiatric care reform
Wolfová, Magdaléna ; Tušková, Eva (advisor) ; Dobiášová, Karolína (referee)
The subject of this diploma thesis is the involvement of users of psychiatric care in the process of planning and realization of psychiatric care reform at the macro level of policy making. The aim of the research is to describe and understand this involvement. In the research are describer possibilities of participation in the phases of involvement, its form, purpose, formal regulation of opportunities, expectations of respondents, perceived power and barriers in involvement. The data was collected during interviews with key actors and studies of relevant documents. The results relate to the theoretical concepts of coproduction, patient-oriented care, strategic and human rights documents (the Convention on the Human Rights of People with Disabilities). The element of power is described through the typology of Sherry Arnstein's participation ladder. Evidence of interviews indicates elements of tokenism and disadvantages. There is a low (one-person) representation of users in reform bodies, lack of time for discussion in consultative bodies, lack of information and lack of capacity (people, time, resources) for greater development of patient organizations. Respondents have identified barriers as the socio-economic situation, lack of capacity for macro-level involvement, mental health constraints or...
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International co-production of debut films
Michálek Květová, Kristýna ; KOPECKÁ, Anna (advisor) ; Macola, Jan (referee)
The aim of the thesis is to analyse the European film industry, namely the sphere of the debut films in the international co-productions. The thesis
examines the influence of co-productions on development but also on
distribution of first features. The thesis points at the current trends which are arising at the European film market nowadays. One of them is the phenomena of the film industry and the networking activities designed for the film
professionals. By this we mean various platforms: workshops which are created for the script development but also the consequent co-production markets and forums, which involves pitchings of the projects at the stage of
financing. The rules and specifics of the co-production financing system are
also one of the major topic. The subject of the thesis is viewed from the point of view of a debut producer,
and the base of the thesis are mostly interviews with several European producers of successful debut films from last several years.
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Involving users in the psychiatric care reform
Wolfová, Magdaléna ; Tušková, Eva (advisor) ; Dobiášová, Karolína (referee)
The subject of this diploma thesis is the involvement of users of psychiatric care in the process of planning and realization of psychiatric care reform at the macro level of policy making. The aim of the research is to describe and understand this involvement. In the research are describer possibilities of participation in the phases of involvement, its form, purpose, formal regulation of opportunities, expectations of respondents, perceived power and barriers in involvement. The data was collected during interviews with key actors and studies of relevant documents. The results relate to the theoretical concepts of coproduction, patient-oriented care, strategic and human rights documents (the Convention on the Human Rights of People with Disabilities). The element of power is described through the typology of Sherry Arnstein's participation ladder. Evidence of interviews indicates elements of tokenism and disadvantages. There is a low (one-person) representation of users in reform bodies, lack of time for discussion in consultative bodies, lack of information and lack of capacity (people, time, resources) for greater development of patient organizations. Respondents have identified barriers as the socio-economic situation, lack of capacity for macro-level involvement, mental health constraints or...
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Climate expertise and security politics: the case of the Czech Republic
Pokorná, Viktória ; Rychnovská, Dagmar (advisor) ; Svitková, Katarína (referee)
This Master's Thesis called "Climate expertise and security politics: the case of the Czech Republic" deals with engagement of climatologists in politics and society. Nowadays, certain actors (politicians, activists, celebrities, etc.) perceive climate change as dangerous threat to humanity, and so, they try to securitize this issue. They endeavor to inform ordinary people and make politicians to adopt extraordinary measures. Among these securitizing actors, we could find several climatologists who can fulfil role of security experts. However, such a trend is not present in the Czech Republic. Czech climatologists are not so active publicly and in politics compared to their foreign colleagues. This Thesis would like to analyze what are structural conditions of this trend. It is focused on various influential elements - society, politics, media and scientific field itself. It is based on concept of co-production that is about mutual relationship between these elements. It shows that society, politics and media are rather discouraging Czech scientists from engagement. However, also scientific community as such is not coherent, but there are several different epistemic communities. This Thesis would also like to connect science with Security Studies, mainly securitization theory and security...
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Czechoslovak-Cuban Cinematic Cooperation in the 1960s
Matušková, Magdaléna ; Opatrný, Josef (advisor) ; Štěpánek, Pavel (referee) ; Skřivan, Aleš (referee)
The study analyzes the largely understudied cinematic cooperation between Czechoslovakia and Cuba in the first decade following the Cuban Revolution. It is based mostly on archival documents from the former Central Directorship of Czechoslovak State Film, the ministry of education and culture and the ministry of foreign affairs. Several chapters also draw from oral history, data collected from series of interviews with Cuban technicians and artists who have worked in Cuban cinema since the 1960s as well as Czechoslovak experts who worked at the Cuban Institute of Cinematographic Arts and Industries in the 1960s. The Cuban Institute of Cinematographic Art and Industry (CICAI), founded in March 1959 shortly after the triumph of the Revolution, faced a shortage of human and material resources since its inception. The film industry, which had been mostly in the hands of the Americans before 1959, lost much personnel due to mass emigration. Later on, due to the American blockade and embargo, it also lost its most important provider of films, material and equipment. The majority of CICAI's technician and artists were just starting and were lacking in technical knowledge required to make films. Czechoslovak State Film (CSF) offered extensive help to Cuban cinema, especially in the area of developing the...
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Introduction to the legal regulation of Czechoslovak film co-productions between 1945-1970
Bednář, Leoš ; Klimeš, Ivan (advisor) ; Czesany Dvořáková, Tereza (referee)
This diploma thesis focuses on the co-production of films in Czechoslovakia from 1945 to 1970. This neglected institute is described and partially analysed on the principle of the three levels of the legal regulation. The first stage are interstate cultural agreements and agreements of cultural cooperation. The most important is the co-production agreement and agreement of cooperation in the area of cinematography with France and Italy concluded in 1968. The second stage consists of the implementation plans and the framework conventions, which extend the provisions of interstate agreements. It is very difficult to trace these plans and conventions in unprocessed archive funds. So the enlisted information are rather fragmentary. The next stage is created by the specific co-production agreements. These agreements are basis for the co-production projects. The last section of the thesis contains several unrealised co-production projects that have not been created because of some political, economic and other disputes.
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Financing of Audiovisual Works in Germany and the Possibilities of Cooperation with Czech Producers
Šonková, Barbora ; OUKROPEC, Petr (advisor) ; VÁLA, Luboš (referee)
Bachelor thesis with the title Financing of Audiovisual Works in Germany and the Possibilities of Cooperation with Czech Producers analyses the methods of financing film projects in Germany. It is examining the conditions, under which it is possible to reach specific funds and covers other ways of getting financial support. It addresses the cooperation with distributors, TV stations and also briefly covers the possibilities of alternative financing. The second part of the thesis focuses on Czech-German coproductions, pointing out the crucial criteria of formation of these collaborations. The work explores the various steps of creation of joint projects, from script to the final distribution of the film. The main goal is to find out, whether Germany is the right coproduction partner for Czech producers and whether Czech projects have the potential for German market.
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Coproducing in Opera
Kamenická, Kristýna ; SRSTKA, Jiří (advisor) ; HORČIČKOVÁ, Jana (referee)
The thesis Coproducing in Opera discusses opera productions and opera joint projects that are based on the cooperation between theatres or festivals. While the thesis provides an insight into various issues of contemporary Czech opera scene, it comments on positive impact of the coproduction.
For the respective theatres, the coproduction decreases the costs of the production, as well as it broadens the repertory. Yet, the coproduction shows are still quite rare.
The thesis describes a process of a creation of such a project in the theatre operated by more than one theatre company; it discusses it's specific management and contractual relationships. The thesis also mentions other types of cooperation, e.g. purchase of the production or lease of the production.
The opera coproduction is the future of the Czech opera theatre.
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Czech Producer and the Aspects of International Co-Production
Konečný, Lubomír ; KOPECKÝ, Čestmír (advisor) ; ULDRICHOVÁ, Helena (referee)
This master thesis is focusing on European film industry and on the position of Czech producer in this system. In the beginning is cinematography listed into the system of creative industries and there is a definition of what the producer is. Furthermore are presented the possibilities of financing of audiovisual work in local conditions, which is the necessity for potential co-productions. Significant part of the thesis is dedicated to the analysis of structure of European audiovisual funds, which are Eurimages and MEDIA Desk and producer?s networking. In the case study is described the history of growth of Danish company Zentropa which is one of the most successful European companies based on possibilities which offers European film market. In the end of thesis is in short view described the change of industry connected with entering of digital media and social networks to audiovisual industry.
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Trends in the Production of Animated Films
Příkaská, Barbora ; RYCHECKÝ, Tomáš (advisor) ; KALLISTA, Jaromír (referee)
In my master diploma thesis, I try to map the current situation and actual trends with
respect to creative, financial and production processes. I focus on film, television and
other productions. The greatest emphasis is put on the producer?s point of view.
The Introduction focuses on the specifics of the animated film and is followed by
chapters focusing on the situation in the Czech Republic. In addition to describing the
current situation on the scene of animated film I try to explain the use of the principles
of animation in other branches of the entertainment industry.
In the last part of my thesis, I offer a summary of interviews with producers of
contemporary animated feature films. I am interested in the circumstances of the
development of the film, ways of working with the script, attitude to new technologies
and specific problems related to the realization.
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